Mostrar mensagens com a etiqueta Monsaraz. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Monsaraz. Mostrar todas as mensagens
sexta-feira, 29 de julho de 2022
quarta-feira, 2 de março de 2022
quinta-feira, 2 de janeiro de 2020
domingo, 22 de dezembro de 2019
Sketching along the pista #10
As late afternoon sun
floods Monsaraz, its steep hilltop position creates deep and sometimes
unexpected shadows punctuated by brilliant bursts of orange light. Part of
Portugal’s charm for the urban sketcher is that there is such a range of
buildings, from the palatial and pristine to the rustic and ruinous. Here, location
and building combined seamlessly. I chose a building at the more derelict end
of the scale, fronting the castelo,
where the light and topography combined to capture the mood of the town as a
whole.
I placed my sketching
focus on the old doorway, and only hinted at the main streetscape with its
church spires dominant in the middle distance. A restricted palette of orange,
red, blue, and grey reinforced the dramatic light.
sábado, 21 de dezembro de 2019
Sketching along the pista #9
I often
incorporate small elements of collage into my urban sketching. But I had never
made an urban sketch almost entirely of collage. Until Monsaraz, that is. The view from the hotel window looked west
across the Alentejo plains, picturesquely divided into small farms, with ranges
of hills in the hazy distance. I had come prepared for this moment, with a
small portfolio of old coloured paper scraps to which I added some ephemera
from this extraordinary hilltop town.
To cut or to tear?
That is the question. I mostly chose to tear as better suiting the casual
landscape patterning. Some 1860s government blue paper formed hazy sky, touched
with a dry stroke of Prussian blue watercolour. A cover leaf from the mid-nineteenth
century Archivo Universal: revista
hebdomadaria provided distant hills. The cream frontispiece of an old book
and ochre paper added just the right colour for the paddocks, while fragments
of marbelled book endpapers, brown wrapping paper, and some contemporary
ephemera touched on the details.
sexta-feira, 20 de dezembro de 2019
Sketching along the pista #8
I cycled to the
hilltop of Monsaraz (OK, in 1st gear with a few stops) so it was great to
refresh at the top. Monsaraz in autumn is best between 4 30 in the afternoon (when
most tourists drive home to the east) and sunset, when fabulous views to the
west over the Alentejo countryside make you glad that Portuguese rule was
restored in 1640! (Hello Spain, just joking.)
The restaurants
along the main street of Monsaraz have great views east, but after dark the
interiors also make great urban sketching subjects. Most Portuguese restaurants
have a trove of decorative objects and here wild boar and deer heads, a boar
plate by a local artist, and the ever-present TV screens were softened by
neatly laid tables and timber panelling. Restaurant sketches are always
interrupted by the arrival of food, so I completed the sketch later with a
typical paper doily collaged in the bottom right hand corner to balance the composition.
segunda-feira, 29 de julho de 2019
domingo, 10 de fevereiro de 2019
segunda-feira, 28 de janeiro de 2019
domingo, 27 de janeiro de 2019
sábado, 26 de janeiro de 2019
68º Encontro ÉSk | Monsaraz
Monsaraz já andava a pedi-las há uns tempos e, desta vez não nos escapou. É certo que de vez em quando damos lá um salto com os amigos, mas para desenhar assim, à séria, num encontro, esta foi a primeira vez.
É de esperar, no inverno, por aqui, algum vento e tempo assim fresquito, mas não esteve. Antes pelo contrário, esteve um belo dia de primavera, mesmo a condizer com os desenhos que saíram nesta fornada, luminosos e cheios de cor.
Apareceu gente nova e fez muito bem em aparecer, a nós, sabe-nos muito bem fazer novos amigos e partilhar experiências e, ainda por cima, eu acho que eles gostaram de estar connosco também :)
E o encontro foi isto, agora deixo-vos com as imagens deste belíssimo dia de desenhos.
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Foto: António Coutinho |
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Foto: Cristina Rebocho |
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Foto: Cristina Rebocho |
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Foto: Cristina Rebocho |
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Foto: Cristina Rebocho |
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Foto: Cristina Rebocho |
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Foto: Cristina Rebocho |
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Foto: João Matos |
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